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Haydn: The Creation (Naxos SACD 6 110073 74) SACD ISO

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Music : Classical : Lossless
Haydn: The
Creation (Naxos SACD 6.110073/74) SACD ISO

http://sa-cd.net/showtitle/2937

Haydn’s
choral masterpiece The Creation makes its surround sound debut in this fine production recorded by Deutschlandfunk,
Sendesaal, Köln, in July 2003, a co-production with DeutschlandRadio. Period instruments are used with the 40-member
Capella Augustina which consists of players from other well-known groups, directed by Andreas Spering. Right from the
beginning, Haydn’s rather subdued vision of chaos, one is aware of the natural sonic perspectives and perfect
balance between soloists, chorus and orchestra.
– from Classical CD Review

Review from
David Hurwitz at Classics Today (10 Music / 10 Sound)

Although The Creation is no stranger to
period-instrument performance, two in particular spring to mind as particularly outstanding. The first of these is
Christopher Hogwood’s on L’Oiseau-Lyre, which is in English and remains the only version to assemble the
huge forces for which Haydn actually wrote, with singularly thrilling results. Second, there is Hengelbrock on Deutsche
Harmonia Mundi, who demonstrated that at least on recordings the music can sound just as big and colorful, but without
extensive doubling of instrumental parts. In his version of The Seasons, René Jacobs accomplished a similar feat, and
so does this newcomer, even outdoing Hengelbrock in wringing every last drop of color from Haydn’s perennially
fresh orchestration. All of the other period performances, including Brüggen, Weil, Harnoncourt (twice), Kuijken, and
Gardener, stand at some remove from these three.

Andreas Spering has a lot going for him right from the
beginning: crack vocal and instrumental forces, a strong lineup of soloists, and an excellent German radio production
that sounds fabulous both in stereo and in SACD multichannel playback (with the voices even more naturally integrated
into a vivid, three-dimensional aural picture). This account of Chaos must stand as the most creepy and desolate on
disc, the music still truly revolutionary and modern even at this late date. Spering takes time to make every detail
tell: the sudden brass interjections, the startling clarinet run leading to the recapitulation, the muted strings and
soloistic writing for timpani. Spering rightly treats the piece Romantically, allowing plenty of opportunities for
rhetorical emphasis, as at the thrilling eruption of light and the ensuing recitative, taken a bit slower and more
grandly than usual. But there’s nothing mannered or unduly exaggerated: everything is dictated by the sense of
the text. The chorus obviously relishes the words and sings as though they really mean something.

There are
too many outstanding details to list completely. The concluding choruses of all three parts combine blazing brass with
exceptional contrapuntal clarity. Sunhae Im and Hanno Müller-Brachmann make a charming Adam and Eve. The latter
hasn’t the steadiest of baritone voices, particularly in his lower register (as I noted in his recent recording
of Bach’s B minor Mass for Naxos), but he does surprisingly well in Raphael’s big Part 2 aria “Nun
scheint in vollem Glanze der Himmel”, and tenor Jan Kobow turns in an excellent “In Native Worth” (as
it’s known in English). Spering somehow manages to play the living daylights out of the great duet with chorus at
the center of Part 3, which Tovey called the greatest single movement that Haydn ever wrote, without making an
anti-climax out of the following Adam and Eve duet and the big closing ensemble, with its dazzling coloratura
“Amens”. In short, from just about every possible standpoint, this is as fine a performance of this work as
I hope to hear, one that at every turn reveals the miraculously undying youthfulness of Haydn’s inspiration. Now
on to the The Seasons, please!

Details

Released: 2005
Genre: Classical
Label:
Naxos
Discs: 2

The ISO image was created using SACD Daemon.

Tray inlay scanned at 600 DPI.

Thanks to the original uploader!                                                             

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